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Stella adler studio of acting heather cut above casting full#
“How can I rip the blinders from her eyes?”ĭry tech: The rehearsal and setting of lighting, scenery, and sound cues, in preparation for the full technical rehearsal with actors.Įmotion: The agitation of feelings such as: sadness, power, fear, love, hate and joy. The dramaturge often assists the director in the preparation of a production.ĭriving Question: Always beginning with “How can I…?” It is the rephrasing of the actor’s objective in the active and very specific form of a question that needs to be answered in the scene, i.e. An audition in which you are asked to read from copy you are not familiar with, generally with little or no time to prepare.Ĭomposition: The arrangement of the staging and design elements to create a visual picture.Ĭonflict: An essential and vital element of acting that involves the obstacles and struggles (inner and outer) that a character must overcome to reach their objective.Ĭountering: A blocking movement by an actor to rebalance the stage in reaction to another actor’s movement, or change of position.Ĭue: The action, line, or phrase of dialogue that signals your character to move or speak.Ĭue-to-Cue: A tech rehearsal where to save time, action and text is cut out between cues.ĭialogue: The written words spoken by the actors/characters.ĭownstage: The front of the stage or the part closest to the audience.ĭramaturge: A profession in theatre that deals mainly with the research and development of plays.
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Also, any given movement that enhances the scene, such as a specific character gesture.Ĭentral conflict: The oppositional force between characters that directly affects or motivates the action of the plot.Ĭharacterization: The actor using their craft to explore and develop the specific qualities of a character.Ĭheating or Opening Out: Angling or squaring the body out toward the audience or camera, while still partly facing the other actor/character.Ĭold Reading: Unfamiliar material, such as a scene or audition sides. In blocking, holding for 1 second=1 beat.īlocking: To set the movements of actors on a stage or set.
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A new beat occurs when the character changes what he is doing to attain his objective. A component of spoken material with a single action.
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His instrument begins to awaken and he becomes capable of the kind of living on stage which is essentially reliving.Īnimal work: Sensory and body work based on the observation of animals, birds and reptiles.Īpron: The area of the stage in front of the proscenium arch.Īrena: A type of stage where the audience is seated on three sides (also referred to as Thrust).Īside: A character’s comment or observation, often delivered directly to the audience or themselves.īeat: 1. Īffective memory: (Or “Remembered emotion”) Memory that involves the actor personally, so that deeply rooted emotional experiences begin to respond. They are often instructions given by the director. They can also be given “off the cuff” when another actor forgets a line.Īdjustment: A direction or modification an actor makes in the playing of material. to possess.Īctivity: A specific physical task that may or may not be connected to an action, such as a character loading a gun or packing a suitcase.Īd-Lib: Spoken words (sometimes witty comments) said out loud that are not in the script. Actions/Intentions: The action verbs the actor uses to fulfill the Objective/Driving Question.